Acts 3
Peter and John are going up to the temple for prayer when a man lame from birth asks for alms; what he receives is not money but the use of his legs.
Summary
At the ninth hour — three in the afternoon, the hour of prayer — Peter and John approach the temple gate called Beautiful. A man lame from birth is being carried to his usual position there to ask for alms. He asks Peter and John for something. Peter looks directly at him and says: silver and gold I do not have, but what I have I give to you. In the name of Jesus Christ of Nazareth, rise up and walk. He takes the man by the hand and raises him up. The man's feet and ankles are immediately strengthened; he springs up, stands, walks, and enters the temple with them, walking and leaping and praising God. The crowd in the temple recognizes him — they had all seen him begging at the Beautiful Gate for years — and they gather in Solomon's Portico, astonished.
Peter addresses the crowd. He begins by deflecting the amazement: why do you stare at us, as though by our own power or piety we have done this? The God of Abraham, Isaac, and Jacob has glorified his servant Jesus, whom you handed over and denied before Pilate, though Pilate had decided to release him. You denied the Holy and Righteous One and asked for a murderer to be granted to you. But God raised him from the dead — to this we are witnesses. Peter then invokes Moses, who said God would raise up a prophet like him from the people and that whoever does not listen to that prophet shall be cut off. He closes by pointing to Abraham's covenant — in your offspring all the families of the earth shall be blessed — and applies it to the present moment: God, having raised up his servant, sent him to you first to bless you by turning every one of you from your wickedness. The crowd's response is interrupted by the arrival of the temple authorities.
- Acts 1Chapter 1 is a prologue and a hinge.
- Acts 2Pentecost is the structural and theological engine of the whole book.
- Acts 3Chapter 3 is the first miracle narrative in Acts, and its structure follows a pattern the book will repeat: the sign, the crowd, the sermon, and the opposition (which comes in chapter 4).
- Acts 4Chapter 4 is the first formal opposition scene in Acts, and it establishes a pattern: arrest, interrogation, the apostles' refusal, release, prayer, and the Spirit's confirmation.
- Acts 5Chapter 5 is one of the most dramatically concentrated in the book.
- Acts 6Chapter 6 is transitional but efficient.
- Acts 7Chapter 7 is the theological and dramatic climax of the Jerusalem section.
- Acts 8Chapter 8 is the first chapter of the middle section — Judea and Samaria — and it works by juxtaposition.
- Acts 9Chapter 9 contains the first telling of Paul's conversion (the other two are in chapters 22 and 26), and it is worth reading all three consecutively to see how Luke shapes each one for its audience.
- Acts 10Chapter 10 is the structural pivot of the first half of Acts and one of the most carefully constructed chapters in the New Testament.
- Acts 11Chapter 11 has two movements.
- Acts 12Chapter 12 is the last major Peter chapter in Acts, and it works as a deliberate counterpoint to the Herod material.
- Acts 13Chapter 13 is the beginning of the long Pauline section, and it opens with a scene worth pausing over: the Spirit speaks during a worship service in Antioch — while they are worshipping and fasting — and sets Barnabas and Saul apart for a specific but unnamed work.
- Acts 14Chapter 14 completes the first missionary journey and its most memorable episode is the Lystra scene (verses 8-20).
- Acts 15Chapter 15 is the structural centre of Acts and one of the most important chapters in the New Testament.
- Acts 16Chapter 16 is one of the richest in Acts.
- Acts 17Chapter 17 covers three cities and demonstrates the range of Paul's rhetorical repertoire.
- Acts 18Chapter 18 is relatively measured in tone after the drama of chapter 17.
- Acts 19Chapter 19 is the longest account of Paul's settled ministry in any city and falls into two parts.
- Acts 20Chapter 20 is the most elegiac in Acts.
- Acts 21Chapter 21 is the beginning of the long arrest sequence that occupies the rest of the book.
- Acts 22Chapter 22 is the second telling of Paul's conversion (the first is in chapter 9, the third in chapter 26).
- Acts 23Chapter 23 is structurally a thriller: the Sanhedrin hearing (verses 1-10), the night vision in the barracks (verse 11), the assassination plot (verses 12-22), and the extraordinary military escort to Caesarea (verses 23-35).
- Acts 24Chapter 24 is the first of three formal hearings in Acts — before Felix (24), before Festus (25), and before Agrippa (26) — and it establishes the pattern the others follow: Jewish accusation, Paul's defence, Roman incomprehension of the internal religious question, and a procedurally inconclusive result.
- Acts 25Chapter 25 is a pivot chapter.
- Acts 26Chapter 26 is the third and final telling of Paul's conversion (compare chapters 9 and 22) and the most rhetorically elaborate.
- Acts 27Chapter 27 is one of the most detailed sea narratives in ancient literature and is written in the first person plural (the we-passage resumes at verse 1), which gives it its immediacy.
- Acts 28Chapter 28 is the ending the book has been building toward, and it rewards slow reading.