Acts 16
A vision of a man from Macedonia changes the journey's direction; in Philippi, a businesswoman is baptized at a river and opens her house, while a midnight earthquake frees Paul from jail and converts his jailer.
Summary
Paul comes to Derbe and then Lystra, where a disciple named Timothy lives, the son of a believing Jewish woman and a Greek father, well-spoken of by the brothers. Paul wants Timothy to accompany him and has him circumcised because of the Jews in those places, who knew that his father was Greek. They travel through the cities, delivering the decisions of the Jerusalem council, and the churches are strengthened and increase in number daily. The Spirit forbids them to enter Asia and then Bithynia. Coming to Troas, Paul sees a vision in the night: a man of Macedonia stands there urging him, come over and help us. They immediately seek to go to Macedonia, concluding that God has called them to preach the gospel there. They sail to Samothrace and then to Neapolis, and from there to Philippi, a Roman colony.
On the sabbath they go outside the city gate to the river, where they suppose there is a place of prayer. Sitting down, they speak to the women who have gathered. A woman named Lydia, a dealer in purple cloth from Thyatira and a worshipper of God, is listening. The Lord opens her heart to respond to what Paul says. She is baptized along with her household and urges them to stay at her house: if you have judged me to be faithful to the Lord, come to my house and stay. A slave girl with a spirit of divination follows them for many days, crying out: these men are servants of the Most High God, who proclaim to you the way of salvation. Paul, having become greatly annoyed, turns and says to the spirit: I command you in the name of Jesus Christ to come out of her. It comes out that very hour. Her owners, seeing their hope of profit gone, drag Paul and Silas before the magistrates, who have them beaten with rods and thrown in prison with feet fastened in stocks. At midnight Paul and Silas are praying and singing hymns; the other prisoners are listening. A great earthquake shakes the prison; every door opens and every chain falls off. The jailer wakes, draws his sword to kill himself, thinking the prisoners have escaped. Paul shouts: do not harm yourself, we are all here. The jailer brings them out: sirs, what must I do to be saved? Believe in the Lord Jesus Christ, and you will be saved, you and your household. He takes them and washes their wounds; he and his whole household are baptized at once. In the morning the magistrates send word to release them; Paul declares his Roman citizenship and refuses to leave until the magistrates come themselves and apologize.
- Acts 1Chapter 1 is a prologue and a hinge.
- Acts 2Pentecost is the structural and theological engine of the whole book.
- Acts 3Chapter 3 is the first miracle narrative in Acts, and its structure follows a pattern the book will repeat: the sign, the crowd, the sermon, and the opposition (which comes in chapter 4).
- Acts 4Chapter 4 is the first formal opposition scene in Acts, and it establishes a pattern: arrest, interrogation, the apostles' refusal, release, prayer, and the Spirit's confirmation.
- Acts 5Chapter 5 is one of the most dramatically concentrated in the book.
- Acts 6Chapter 6 is transitional but efficient.
- Acts 7Chapter 7 is the theological and dramatic climax of the Jerusalem section.
- Acts 8Chapter 8 is the first chapter of the middle section — Judea and Samaria — and it works by juxtaposition.
- Acts 9Chapter 9 contains the first telling of Paul's conversion (the other two are in chapters 22 and 26), and it is worth reading all three consecutively to see how Luke shapes each one for its audience.
- Acts 10Chapter 10 is the structural pivot of the first half of Acts and one of the most carefully constructed chapters in the New Testament.
- Acts 11Chapter 11 has two movements.
- Acts 12Chapter 12 is the last major Peter chapter in Acts, and it works as a deliberate counterpoint to the Herod material.
- Acts 13Chapter 13 is the beginning of the long Pauline section, and it opens with a scene worth pausing over: the Spirit speaks during a worship service in Antioch — while they are worshipping and fasting — and sets Barnabas and Saul apart for a specific but unnamed work.
- Acts 14Chapter 14 completes the first missionary journey and its most memorable episode is the Lystra scene (verses 8-20).
- Acts 15Chapter 15 is the structural centre of Acts and one of the most important chapters in the New Testament.
- Acts 16Chapter 16 is one of the richest in Acts.
- Acts 17Chapter 17 covers three cities and demonstrates the range of Paul's rhetorical repertoire.
- Acts 18Chapter 18 is relatively measured in tone after the drama of chapter 17.
- Acts 19Chapter 19 is the longest account of Paul's settled ministry in any city and falls into two parts.
- Acts 20Chapter 20 is the most elegiac in Acts.
- Acts 21Chapter 21 is the beginning of the long arrest sequence that occupies the rest of the book.
- Acts 22Chapter 22 is the second telling of Paul's conversion (the first is in chapter 9, the third in chapter 26).
- Acts 23Chapter 23 is structurally a thriller: the Sanhedrin hearing (verses 1-10), the night vision in the barracks (verse 11), the assassination plot (verses 12-22), and the extraordinary military escort to Caesarea (verses 23-35).
- Acts 24Chapter 24 is the first of three formal hearings in Acts — before Felix (24), before Festus (25), and before Agrippa (26) — and it establishes the pattern the others follow: Jewish accusation, Paul's defence, Roman incomprehension of the internal religious question, and a procedurally inconclusive result.
- Acts 25Chapter 25 is a pivot chapter.
- Acts 26Chapter 26 is the third and final telling of Paul's conversion (compare chapters 9 and 22) and the most rhetorically elaborate.
- Acts 27Chapter 27 is one of the most detailed sea narratives in ancient literature and is written in the first person plural (the we-passage resumes at verse 1), which gives it its immediacy.
- Acts 28Chapter 28 is the ending the book has been building toward, and it rewards slow reading.