Scene 2 of 10

The island, before Prospero's cell

The longest scene in the play. Prospero finally tells Miranda who she is, summons Ariel, curses Caliban, and watches Ferdinand fall in love.

Summary

Miranda comes in distraught — she has watched the ship break up from the shore and is sure good men have drowned. Prospero, calmly, sets her down on a rock and tells her the storm was his and no one has been harmed. Then, with a long-delayed deliberateness, he tells her who she is. Twelve years ago he was Duke of Milan and one of the most learned men in Europe. He left the running of the dukedom to his brother Antonio. Antonio, with the support of Alonso, King of Naples, seized the dukedom and put Prospero and the three-year-old Miranda into "a rotten carcass of a butt" and pushed them out to sea. Only Gonzalo's secret provisioning of food, water, and Prospero's books kept them alive. Miranda, hearing the story for the first time, falls asleep — Prospero's magic again.

He summons Ariel. Ariel reports on the storm: the ship is hidden in a deep cove, the mariners are asleep below decks under a charm, the passengers are scattered across the island, all unharmed. Ariel reminds Prospero, with practiced edge, that he was promised liberty for this work. Prospero, irritated, reminds him of the cloven pine — Sycorax had trapped him in it for twelve years; Prospero released him and is owed gratitude. Ariel agrees to one more day's service and is sent off to take the shape of a sea-nymph, invisible to all but Prospero.

Caliban is called from his cave, curses Prospero in three lines, and reminds him with bitter clarity that the island was his by inheritance from his mother before Prospero arrived. Prospero answers with the rape attempt. Caliban does not deny it; he wishes it had been completed. He is sent for wood. Then Ariel, invisible, leads Ferdinand on stage on a thread of music — "Come unto these yellow sands" — and Ferdinand, who believes his father drowned, follows the song. He sees Miranda; she sees him. The recognition is total and immediate. Prospero, secretly delighted, plays the suspicious father, accuses Ferdinand of being a spy, and freezes him with magic. The trial that will fill Act 3 has begun.

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