Part 1, Chapter 3 — the direct man and the wall
A long comparison. The healthy "direct" man charges at his target like a bull. The man of acute consciousness sees the wall and stops.
Summary
How do people who know how to take revenge actually do it? The chapter opens with the question and answers it by sketching a type: the "direct" man, the man of action, who when seized by the feeling of revenge has nothing else in him but that feeling. Such a man simply charges straight at his target like an enraged bull with his horns down. A wall will stop him; nothing else will. He may be stupid, but the stupidity is precisely what allows him to act. Revenge feels like justice to him because he has not stopped to ask whether it is. The Underground Man envies him "until I'm green in the face."
Then the contrast. The man of acute consciousness cannot do this. For him, revenge does not arrive as a single feeling. It arrives as the feeling, plus the awareness of the feeling, plus the suspicion that the feeling is petty, plus the further suspicion that the suspicion is itself a self-flattering performance, plus the residue of all of this churning while the moment of action passes. The wall, for the direct man, is a thing he charges. For the man of acute consciousness, the wall is a fact he respects too thoroughly to charge at all. He sees it; he understands its mass; he sits down in front of it and does nothing.
The Underground Man is careful to point out that his envy of the direct man does not collapse into a wish to become him. He envies him and despises him at once. The bull is beautiful precisely because he is stupid. To become the bull would require not knowing what one was; the Underground Man cannot unknow. The argument is structural. Two species in the world: those who can act because they don't know themselves, and those who cannot act because they do.
- Part 1, Ch. 1The novel opens with the voice. A forty-year-old retired collegiate assessor, alone in a basement flat in Petersburg, addressing...
- Part 1, Ch. 2He could not even become an insect, he says. The reason is that consciousness past a certain degree is itself an illness — a real...
- Part 1, Ch. 3Two types of human being. The "direct" man — the bull — charges at the wrong done to him until a wall stops him. The man of acute...
- Part 1, Ch. 4An imagined reader laughs at him. Next he will be finding enjoyment in toothache! He answers seriously: yes, even in toothache...
- Part 1, Ch. 5A single long paragraph. Yes, he says, a man can take pleasure in his own degradation; he has done it for years, and is not, here...
- Part 1, Ch. 6If only he had done nothing simply out of laziness! "Sluggard" would have been a calling, a quality, a positive trait — something...
- Part 1, Ch. 7Who first announced, the Underground Man asks, that man does nasty things only because he doesn't know his own interests? The...
- Part 1, Ch. 8Science, his reader says, will eventually prove that free will is an illusion — that desire follows from antecedent causes the way...
- Part 1, Ch. 9The ant has finished his anthill, and that is why he is still an ant. Man — mercifully — prefers the process of building to the...
- Part 1, Ch. 10You believe in a Crystal Palace, he tells the reader — a palace at which one cannot put out one's tongue or make a long nose on...
- Part 1, Ch. 11Better to do nothing! Long live underground! He cries the conclusion — and, in the same chapter, takes it back. He does not...
- Part 2, Ch. 1Sixteen years earlier. The Underground Man is twenty-four, gloomy, ill-regulated, already as solitary as a savage. He hates the...
- Part 2, Ch. 2One night in a billiard room a tall officer in uniform brushes the Underground Man aside without noticing him. The Underground Man...
- Part 2, Ch. 3He drops in on Simonov to find two more schoolmates — Ferfichkin and Trudolyubov — planning a farewell dinner for Zverkov, a...
- Part 2, Ch. 4He arrives at the Hôtel de Paris an hour early; he has misread the time. The others appear at six, friendly to Zverkov and...
- Part 2, Ch. 5He runs out of the tavern. "So this is it, this is it at last — contact with real life," he mutters at himself, half-mocking, half...
- Part 2, Ch. 6Upstairs with Liza. He sleeps, wakes in the dark to a wheezing clock striking two, begins to talk. A long speech — half borrowed...
- Part 2, Ch. 7He walks home with her address in his pocket. By morning the sincere speech of the night before has become a trap. He has invited...
- Part 2, Ch. 8The long war with Apollon over a few rubles in unpaid wages reaches its loudest point. The Underground Man, in his dressing gown...
- Part 2, Ch. 9She comes in. He turns on her. The speech in the brothel was a lie, he tells her; he was amusing himself with her tears; she was a...
- Part 2, Ch. 10As she leaves he presses a crumpled five-rouble note into her hand, "from spite," to convert what she has just done into a...