Preface
In an age where everyone begins at doubt and goes further, Johannes de Silentio introduces himself as a mere amateur who writes for luxury — and warns that he will have nothing to do with the System.
Summary
The Preface opens with a comparison between the age and a clearance sale. Everything in the world of ideas can be had at such a giveaway price that one wonders whether anyone will bother to bid. Every philosopher claims to have doubted everything and gone further — past faith, past the old beginnings — without ever dropping a word about how it was done. Descartes, at least, was honest: he modestly confined his method to himself, confessed it grew from his own earlier botched learning, and never turned his doubt into a civic duty. Not so the present age.
Into this market, Johannes de Silentio introduces himself as a humble non-philosopher — a freelance writer who writes because for him it is a luxury that becomes more agreeable the fewer people read it. He has not understood the System, whether it exists or whether it is finished. He does not subscribe to it and does not sign himself over to it. He foresees his fate in an age that has drawn a line through passion in order to serve science: to be entirely ignored, or to be cut up into paragraphs by some industrious registrar and treated like a grammar exercise.
The Preface ends with a bow: "I prostrate myself in the deepest submission before every systematic peeping-Tom: This is not the System; this has not the slightest thing to do with the System. I call down every blessing upon the System and upon the Danish shareholders in this Omnibus — for a tower it will scarcely become." The signature is: "Most respectfully, Johannes de Silentio." In five short paragraphs Kierkegaard has established the tone — satirical, self-aware, scrupulously outside the dominant idiom — that the rest of the book will maintain.
- PrefaceA dry, ironic declaration of method: Johannes de Silentio is not a philosopher, not a subscriber to the System, not an optimist...
- ExordiumFour imagined versions of the Moriah journey, each showing how a lesser man would have failed or been broken by what Abraham...
- Eulogy on AbrahamThe lyrical centre of the book. A eulogy on Abraham that moves from his departure from Ur through the decades of waiting for Isaac...
- Preliminary ExpectorationThe conceptual engine of the book. The knight of infinite resignation vs. the knight of faith. The movement by virtue of the...
- Problema IThe first and most famous argument. If the ethical is the highest, Abraham is a murderer. Kierkegaard's alternative: there is a...
- Problema IIThe second argument: whether there is an absolute, direct duty toward God that is not mediated through the ethical. Kierkegaard...
- Problema IIIThe longest and most aesthetically intricate of the three arguments. Through a comparison of aesthetic hiddenness, ethical...
- EpilogueBrief and ironic. Faith is the highest passion; no generation begins further along than the last, and none gets past it. The...