Memory — the vast hall of the soul
The autobiography stops. Augustine asks where the past he has been narrating actually is. The answer leads into one of the most remarkable explorations of memory and the soul in any literature.
Summary
Book 10 opens with a new question: not who was I, but who am I now? Augustine has spent nine books narrating his past; now, at the present moment, at the moment of writing, he asks what the Confessions themselves are for. Who is he confessing to, and who is he confessing for? To God, who knows all; and to the human readers who will read the book — and for whom his own present state is the most useful part, since his past is over and his future is opaque.
This brings him to memory. The Confessions are an act of memory; the self that is doing the confessing is constituted by what it remembers. Augustine begins to examine his memory's contents. He finds images of past sensory experience — he can remember the look of Carthage without being there, remember the smell of bread without bread present. He finds the disciplines he has learned — grammar, rhetoric, mathematics — and these are not images of sensory experience; a mathematical demonstration is not an image of a triangle he once drew. He finds emotions he has had: he can remember fear without being afraid now, remember grief without grieving. Memory is vast, strangely organized, containing more than he has consciously stored.
The chapter ends with Augustine's most candid account of his current spiritual state. Conversion did not make him whole. He is still pulled by food beyond mere sustenance; by music that carries him away before he can steady himself; by the pleasure of praise; by curiosity — the desire to look at things, to know things, that distracts him from prayer. He names each temptation carefully and evaluates how far he has and has not come. It is the most self-aware and least comforting account of Christian life in the early church — and it is placed here precisely because the earlier autobiography, if read alone, might look like a story of problem solved. Book 10 corrects that impression.
- Book 1The opening prayer, the paradox of calling on God, and the childhood years: infancy, the hated Greek, the loved Latin, the school...
- Book 2Adolescence in Thagaste, the first serious entanglements with desire, Monica's unheeded warnings — and the pear theft, which...
- Book 3Augustine at seventeen in Carthage: the theater's pleasurable grief, the shock of Cicero's Hortensius redirecting his ambition...
- Book 4Augustine teaching rhetoric in Thagaste, the dangerous years with the astrologers, and the death of a close unnamed friend...
- Book 5The long-awaited meeting with Faustus the Manichaean bishop, who is charming and admits he cannot answer Augustine's questions....
- Book 6Milan, Ambrose's sermons unlocking the scriptures, and the departure of the fifteen-year concubine — sent back to Africa by...
- Book 7The philosophical turning point. The Platonic books — probably Plotinus in Latin translation — give Augustine the concept of an...
- Book 8The conversion at Milan: the story of Antony, the garden, the weeping under the fig tree, the child's voice chanting tolle lege...
- Book 9Baptism by Ambrose at Easter 387. Monica and Augustine's shared vision at the window in Ostia. Nine days later, Monica's death....
- Book 10The autobiography ends; the philosophy begins. Augustine examines his memory and finds it vast beyond comprehension — a hall that...
- Book 11What is time? Augustine works through the question forced by Genesis — what was there before the beginning? — and gives the answer...
- Book 12A close reading of Genesis 1:1–2. What is the heaven of heavens? What is the formless earth? Augustine reads the creation...
- Book 13A theological reading of the six days of Genesis: light, waters, land, the luminaries — each read as a figure of the soul's...