Chapter 88 — Schools and Schoolmasters
Sperm whale society runs on harems — and the dominant bull's reward is exile when he grows old and his strength fades.
Summary
Not all sperm whales travel in great armadas like the one the Pequod has just passed through. More commonly they travel in smaller groups of two kinds: schools of females under a dominant male, and bachelor schools of young males traveling together. Ishmael describes the schoolmaster — the dominant bull attending his harem — as a figure of considerable vanity and nervousness, never entirely at ease, always the last to flee in the event of danger (his evolutionary function being to cover the retreat of his females), yet surrounded by such a surplus of the good things of life that his nervousness seems almost comic.
The bachelor schools of young males, by contrast, are energetic, aggressive, and in whalemen's experience far more likely to smash a boat. They lack the composure of the schoolmaster and the maturity of the solitary old bulls. They are, Ishmael observes, at the stage of life where there is everything to prove and nothing yet lost.
The most interesting figure in sperm whale society, from the whaler's perspective, is the solitary old bull — the animal expelled from his harem when younger and stronger males finally displace him. These animals travel alone, in deep water, far from the main whaling grounds. They are the most dangerous whales in the ocean: old, strong enough from years of survival, and entirely unburdened by the need to protect females. Ishmael notes that these are the animals most likely to turn and fight rather than flee. Moby Dick, it goes without saying, fits this description precisely.
- Chapter 1Ishmael introduces himself without introducing himself.
- Chapter 2The chapter establishes the social register of the voyage before it begins.
- Chapter 3This is the longest chapter in the shore-section and one of the great comic-uncanny chapters in the novel.
- Chapter 4Morning after.
- Chapter 5A short chapter of pure observation.
- Chapter 6Ishmael takes a daylight walk and reports that Queequeg attracts far less attention than he expected.
- Chapter 7Before signing on for anything, Ishmael visits the chapel that New Bedford's whalemen customarily attend before departure.
- Chapter 8Father Mapple is described before he speaks: a man of immense weathered authority, an ex-harpooner turned chaplain, beloved by New Bedford's sailors.
- Chapter 9The sermon is one of the great set-pieces of American literature, and it does exactly what the pulpit gesture promised: it says something difficult about duty, disobedience, and the cost of truth-telling.
- Chapter 10The friendship is sealed in this chapter without any declaration.
- Chapter 11A brief, cozy chapter — deliberately placed between the chapel's solemnity and Queequeg's biography.
- Chapter 12Melville treats Queequeg's backstory with the same seriousness he gives to Ahab's.
- Chapter 13The chapter covers the departure for Nantucket and introduces the first of several stories Queequeg will tell about the comedy of cultural misunderstanding.
- Chapter 14One of the essay-chapters, very short, entirely celebratory.
- Chapter 15Another short comic-affectionate chapter.
- Chapter 16The longest chapter in the shore section.
- Chapter 17A comic-philosophical chapter about religious tolerance.
- Chapter 18The chapter is about the only credential that matters in the whale fishery: can you do the job? Peleg learns Queequeg is a cannibal and says he needs papers — certificates of church membership, evidence of Christian conversion.
- Chapter 19The prophetic register enters.
- Chapter 20A transitional chapter — brief, practical, kinetic.
- Chapter 21The departure morning, predawn.
- Chapter 22The departure.
- Chapter 23The shortest and most intensely lyrical chapter of the shore section, and a turning point in register.
- Chapter 24An essay chapter, and one of the funniest.
- Chapter 25The briefest chapter in the novel, and the most triumphant.
- Chapter 26The chapter introduces Starbuck — not through action but through character.
- Chapter 27The second Knights and Squires chapter completes the portrait of the Pequod's officers and harpooneers.
- Chapter 28The entrance everyone has been waiting for.
- Chapter 29A brief, brutal chapter that establishes Ahab's social register.
- Chapter 30A chapter of three pages that contains, in miniature, the novel's diagnosis of Ahab's condition.
- Chapter 31A brief comic-ominous chapter.
- Chapter 32The first of the great encyclopedic chapters, and one of the most strategically placed.
- Chapter 33A relatively brief essay on the sociology of the whale ship.
- Chapter 34A comedy of hierarchy.
- Chapter 35A digression on the ancient art of standing watch atop a mast, from Egyptian obelisk-keepers to sleepy Romantic poets.
- Chapter 36The pivotal chapter of the novel.
- Chapter 37A brief dramatic soliloquy.
- Chapter 38A short soliloquy from Starbuck at the mainmast, counterpoint to Ahab's sunset speech.
- Chapter 39A tiny soliloquy from Stubb, comic counterpart to the tragic ones preceding it.
- Chapter 40The most explicitly theatrical chapter in the book: a dramatic scene with named speakers from every nation in the crew, no narrator, stage directions, songs, arguments, a fight, and a sudden squall that ends it all.
- Chapter 41The essential chapter for understanding what Moby Dick actually is before the final chase.
- Chapter 42Read this chapter twice.
- Chapter 43A short dramatic chapter: two sailors on midnight watch hear coughing from the sealed hold, where no cargo should be making noise.
- Chapter 44One of the most important chapters for understanding that Ahab is not simply crazy.
- Chapter 45A defensive chapter in which Melville, through Ishmael, pre-empts the skeptical reader who might doubt that a single whale could be known, pursued, and so destructive.
- Chapter 46A short chapter of political psychology.
- Chapter 47One of the most beautiful chapters in the book.
- Chapter 48Pure action chapter with a revelation at its center: when the boats go down, a group of men no one has seen before emerge from the hold to man Ahab's personal boat, headed by the turbaned figure Fedallah.
- Chapter 49A short comic chapter after the chaos of the first lowering.
- Chapter 50The chapter following the phantom crew's appearance: Stubb and Flask discuss Fedallah and his men, the question of whether it is right for a whaling captain to risk his life in the chase, and what Fedallah means to Ahab.
- Chapter 51One of the most haunting chapters in the middle section.
- Chapter 52The first of the gam chapters: a mid-ocean meeting with another whaling ship.
- Chapter 53An encyclopedia entry on the gam: the custom by which two whaling ships meeting in mid-ocean exchange visits, news, letters, and company.
- Chapter 54The longest single narrative digression in the book.
- Chapter 55An art-critical digression: Ishmael surveys the entire history of whale representation in painting, sculpture, coins, and temple reliefs, and finds all of it spectacularly inaccurate.
- Chapter 56The companion to Chapter 55 — instead of the monstrous failures, Ishmael now reviews the better attempts.
- Chapter 57A whirlwind survey: whale images on beggar's boards on Tower Hill, scrimshaw carved by Nantucket whalers, wood and sheet-iron weathervanes, mountain formations, constellations.
- Chapter 58A transitional chapter as the Pequod enters the southern ocean.
- Chapter 59A brief visionary chapter.
- Chapter 60A technical essay on the whale-line — the rope that connects the harpoon to the boat — that ends as a meditation on mortality.
- Chapter 61One of the great action chapters.
- Chapter 62A short essay on a specific structural absurdity in whaling practice.
- Chapter 63A brief technical chapter on the crotch — the notched stick in the boat's bow that holds the harpoons ready.
- Chapter 64One of the great set-pieces.
- Chapter 65A short comic chapter on the history of whale-eating.
- Chapter 66A brief violent chapter: in the Pacific, sharks are so numerous around a moored whale-carcass that it would be reduced to skeleton by morning if left unguarded.
- Chapter 67A short, vivid chapter on the physical process of stripping blubber from the dead whale.
- Chapter 68A meditation on the whale's exterior: what is the skin, what is the blubber, and what are the faint hieroglyphic markings that appear on the whale's surface? Ishmael argues that the blubber is the whale's true skin — eight to fifteen inches thick, yielding up to a hundred barrels of oil.
- Chapter 69A brief, mordant elegy for the beheaded whale as it floats away stripped and gleaming.
- Chapter 70A short, strange chapter in which Ahab conducts a monologue to the decapitated sperm whale head hanging from the Pequod's side.
- Chapter 71The Pequod meets the Jeroboam, a Nantucket whaler whose captain has ceded authority to a deranged self-proclaimed archangel from the crew.
- Chapter 72A philosophical meditation arising from a practical detail: while Queequeg stands on the floating whale carcass to insert the blubber hook, he is connected to Ishmael by a monkey-rope fastened to both their waists.
- Chapter 73The Pequod, still with the Sperm Whale's head on one side, kills a Right Whale for balance — and because the old superstition says a ship carrying both heads is protected from the devil.
- Chapter 74The first of two anatomical chapters on the whale heads now hanging from the Pequod's sides.
- Chapter 75The companion chapter to 74.
- Chapter 76A short cetological chapter making an argument that will pay off in the novel's final chapters: the Sperm Whale's enormous forehead, which appears to be the seat of its intelligence, is in fact almost entirely composed of spermaceti oil packed in a fibrous matrix — a shock-absorber and battering ram, not a skull protecting a brain.
- Chapter 77A cetological chapter explaining the internal structure of the Sperm Whale's head: the lower section of junk (a honeycomb of oil-soaked tissue) and the upper section called the Case, a large reservoir of liquid spermaceti compared to the great wine cask at Heidelberg Castle.
- Chapter 78The bailing of the Case turns catastrophic when Tashtego slips and falls headfirst into the great spermaceti reservoir, the opening closes around him, and he begins to drown inside the whale's head.
- Chapter 79A short meditation on the Sperm Whale's face — or rather, on the absence of one.
- Chapter 80The companion piece to The Prairie: if the previous chapter examined the whale's brow as a physiognomist, this one examines its skull as a phrenologist.
- Chapter 81One of the great action chapters of the book's middle section.
- Chapter 82A mock-heroic chapter in which Ishmael constructs an elaborate genealogy of whaling, finding its origins in Perseus (who rescued Andromeda from a sea monster that Ishmael identifies as a whale), Hercules (who fought a sea-beast), St.
- Chapter 83A short comic chapter in which Ishmael recounts a Sag-Harbor whaleman's skepticism about the historical plausibility of Jonah being swallowed by a whale — citing the wrong species of whale in the ancient illustrations, the problem of gastric juices, and the logistics of the journey from the Mediterranean to Nineveh.
- Chapter 84A technical chapter on pitchpoling — the skill of throwing a long lance accurately at a whale from a moving boat, as opposed to driving it in by hand at close quarters.
- Chapter 85A cetological meditation on the spout: what it is physically (Ishmael argues for mist or vapour rather than water), how long whales can stay submerged, and what they might be doing down there.
- Chapter 86A celebratory cetological chapter on the whale's tail — its dimensions, its structure, its five characteristic gestures (sweeping the sea-surface, lobtailing, throwing it into the air, breaching, and the slow waving of a sounding whale).
- Chapter 87One of the great action chapters.
- Chapter 88A brief cetological chapter on sperm whale social structure: the harem school (one dominant male, many females), the bachelor school (young males traveling together), and the fate of old bulls expelled from their harems and left to wander alone.
- Chapter 89A legal and philosophical chapter on the two principles governing ownership in the fishery: a fast-fish (attached to a line or boat) belongs to the party fast to it; a loose-fish (drifting free) is fair game for anyone.
- Chapter 90A companion to the previous chapter on fishery law, focusing on English law's peculiar provision that any whale stranded on the English coast belongs to the Crown — the king gets the head, the queen the tail.
- Chapter 91One of the great comic chapters.
- Chapter 92A short cetological chapter on ambergris — what it is (a waxy substance found in the intestines of sick sperm whales), where it comes from, and why it is so commercially valuable.
- Chapter 93One of the most affecting chapters in the novel.
- Chapter 94One of the strangest and most beloved chapters.
- Chapter 95A very short, very odd chapter.
- Chapter 96The try-works chapter: the brick furnaces built into the ship's deck where whale blubber is rendered into oil, running day and night during the processing of a large catch.
- Chapter 97A brief, luminous chapter — three paragraphs — contrasting the whaleman's working conditions with the merchant sailor's.
- Chapter 98A chapter on the final stage of processing: the cooled oil is casked, the casks are stowed in the hold, and the entire ship — decks, try-works, ropes, tools — is cleaned to a state of immaculate order.
- Chapter 99One of the great symbolic set-pieces.
- Chapter 100The Pequod meets the Samuel Enderby of London, whose captain, Boomer, lost an arm to Moby Dick and has seen the whale since.
- Chapter 101A brief, fond chapter on the history of the Enderby whaling house of London — the first English firm to send ships into the South Pacific, responsible for opening the entire southern whale fishery.
- Chapter 102A cetological chapter on the whale's skeleton, framed as a memory: Ishmael once visited the island kingdom of Tranque in the Arsacides, where the bones of a large sperm whale had been erected as a kind of grove or temple, completely overgrown with tropical vegetation, with priests in attendance.
- Chapter 103A brief, precise cetological chapter.
- Chapter 104One of the grandest cetological chapters, and one of the funniest.
- Chapter 105A short, vigorous cetological argument.
- Chapter 106A brief chapter that deepens Ahab's wound beyond what the reader has previously known.
- Chapter 107A character study that functions as both a portrait and a structural setup.
- Chapter 108A dramatic chapter — one of the book's extended dialogues in stage-direction format.
- Chapter 109A tense, pivotal scene between the two most important men on the ship.
- Chapter 110One of the most affecting chapters in the book, and one of the most quietly important.
- Chapter 111A short lyrical interlude as the Pequod passes through the Bashee Isles and enters the Pacific.
- Chapter 112A brief portrait of Perth the blacksmith, presented as a man who has already been through the worst the world can do.
- Chapter 113A dark, ceremonial chapter in which Ahab's obsession takes physical form.
- Chapter 114A brief lyrical chapter in which the Pequod moves through an unusually calm and beautiful stretch of ocean.
- Chapter 115One of the novel's great tonal contrasts.
- Chapter 116A brief, strange chapter.
- Chapter 117A night chapter of ominous atmosphere.
- Chapter 118A brief, dramatically sharp chapter.
- Chapter 119One of the most spectacular chapters in the book — a full typhoon, disabled masts, flapping sail-rags, and then St.
- Chapter 120A very short dramatic chapter — a stage-direction exchange between Ahab and Starbuck on the storm-battered deck.
- Chapter 121A brief comic relief chapter — Stubb and Flask, lashing things down in the storm, have a conversation about the practical risks of sailing under a mad captain.
- Chapter 122The shortest chapter in the book — three sentences.
- Chapter 123One of the most agonizing chapters in the book.
- Chapter 124Ahab discovers that the ship's compass needles were reversed by the typhoon's lightning.
- Chapter 125A brief elegy of a chapter.
- Chapter 126A bad-omen chapter: a sailor falls overboard near the equatorial isles and the life-buoy, thrown after him, sinks immediately — old, rotted, and waterlogged.
- Chapter 127A brief dramatic chapter in which Ahab watches the carpenter work on converting Queequeg's coffin into a life-buoy and engages him in another abstruse exchange about the nature of the object.
- Chapter 128The most morally decisive of the novel's gam chapters.
- Chapter 129A brief, tender chapter in the cabin between Ahab and Pip.
- Chapter 130A chapter of sustained atmospheric dread as the Pequod closes on the equatorial ground.
- Chapter 131The last of the novel's gam chapters, and the darkest.
- Chapter 132The last chapter before the three-day chase and one of the most beautiful in the book.
- Chapter 133The first day of the three-day chase, and the chapter in which the white whale finally appears in person after more than four hundred pages of anticipation.
- Chapter 134The second day of the chase intensifies everything.
- Chapter 135The climax of the novel, and one of the great closing sequences in English prose.
- Chapter 136A single page.