Paradise Lost a guided tour

The first words of the poem are "Of Man's First Disobedience." Twelve books of blank verse, a fall in heaven and a fall in Eden, and an English Christian poet trying to "justify the ways of God to men."

The book in brief

Paradise Lost is the most ambitious poem in English. Twelve books, ten thousand lines of blank verse, dictated by a blind poet in his late fifties to a series of amanuenses including his daughters and his nephew. Milton announced his subject in the opening line: "Of Man's First Disobedience, and the Fruit / Of that Forbidden Tree, whose mortal taste / Brought Death into the World." His stated aim, four lines later, is "to justify the ways of God to men." The poem is the long working-out of that promise.

It does not begin in Eden. It begins in Hell. Satan and the rebel angels lie burning on a lake of fire after their nine-day fall from heaven; Satan rouses them, builds a capital called Pandemonium, and proposes to take revenge on God by corrupting the new creature God has just made. He flies up through chaos, slips past the gates of Hell — guarded by his own daughter Sin and their son Death — and finds Eden. The angel Raphael is sent down to warn Adam. Raphael tells him the story of Satan's rebellion and the war in heaven across three central books. Adam asks about the creation; Raphael tells him that, too. Then the poem turns to its second fall. Eve, persuaded that she will become like a god, eats the fruit. Adam, told what she has done, eats it knowingly to share her fate. The angel Michael shows Adam the future of human history through to the Incarnation, and the poem ends with two human beings walking out of paradise — "they hand in hand with wandering steps and slow, / Through Eden took their solitary way."

Paradise Lost, chapter by chapter

Click through the 12 chapters like a tour. Each card picks up where the last left off — a quick way to read Paradise Lost in five minutes. Open any book in depth, or jump straight into the reader.

Book 1 of 12
Book 1

On the burning lake

Milton opens with the invocation: "Of Man's First Disobedience, and the Fruit / Of that Forbidden Tree" — and the announcement that he will "justify the ways of God to men." The action begins not in Eden but in Hell. Satan and the rebel angels lie burning on a lake of fire after their nine-day fall. Satan wakes; rouses Beelzebub; rouses the rest. He calls them off the lake — "Awake, arise, or be for ever fallen!" — and they form ranks on the shore. The lost legions are named one by one as the false gods they will become in the Old Testament. They build a capital, Pandemonium, in a single hour. The book ends with the council assembled.

Book 2

The council in Pandemonium

The council convenes in the great hall of Pandemonium. Moloch argues for renewed war — better total destruction than this exile. Belial answers smoothly that things could be worse, and counsels patience. Mammon proposes settling for Hell and building it into a kingdom. Beelzebub rises last and proposes what Satan has already decided in private: corrupt the new creation. The plan is adopted. Who will undertake the journey through chaos to Earth? Silence. Satan volunteers alone. He flies to the gates of Hell and finds them guarded by Sin (his daughter, sprung from his head) and Death (their son). They open the gates for him. The book ends with Satan crossing chaos.

Book 3

The bargain in Heaven

The book opens with the famous invocation on Milton's blindness — "Thus with the Year / Seasons return, but not to me returns / Day, or the sweet approach of Ev'n or Morn." The Father, looking down, sees Satan in flight and foresees what will happen. He explains to the Son that Man will fall, freely, and that justice will require death. He asks who, in heaven, will pay. Silence; no creature steps forward. The Son volunteers. The Father accepts and decrees the redemption. Meanwhile Satan, disguised as a junior angel, deceives Uriel — the angel of the sun — and asks the way to Earth. Uriel points it out.

Book 4

Satan in Eden

Satan lands on Mount Niphates and stops. The sight of Eden produces the most exposed soliloquy in the poem: "Me miserable! which way shall I fly / Infinite wrath and infinite despair? / Which way I fly is Hell; myself am Hell." He admits he was given everything by God and chose to lose it. He could repent and will not. He hardens and goes on. He leaps the wall and sees Adam and Eve for the first time, walking together, talking. That night, in the form of a toad, he whispers a dream into Eve's ear. The angelic guard catches him; God hangs golden scales in heaven, weighs the outcomes, and Satan flees.

Book 5

Raphael at table

Eve wakes troubled by her dream. Adam comforts her; they pray together at sunrise. God decides Adam must be warned, so that he cannot later claim ignorance, and sends Raphael down. Adam sees the angel approach in the noon heat and runs to meet him. Eve prepares a feast from the garden; the three of them eat together, Raphael with "real hunger." After the meal Adam asks for the story of the war in heaven. Raphael begins. God elevated the Son; Satan, in envy, gathered his followers in the north of heaven and proposed revolt; Abdiel alone, among Satan's own officers, spoke against him and walked out. The book ends with Abdiel making it back to the loyal side.

Book 6

The war in heaven

Raphael continues. Michael and Gabriel lead the loyal angels against Satan's forces in the open field of heaven. Two days of battle, the rebels gaining the worse of it. On day two Satan invents gunpowder and briefly turns the tide; the loyal host responds by tearing up mountains and hurling them, burying his artillery under stone. On day three God sends out the Son alone, in his chariot, with the brightness of full divinity at last unveiled. The rebels cannot stand. He drives them to the edge of heaven and they fling themselves over the wall, falling nine days through chaos before they hit Hell. Raphael closes with the warning: stand firm.

Book 7

The six days

Adam, having heard the war story, asks for the matching one: how was this world made, and why? Raphael begins again. The Son, after the rebellion, was sent into chaos to draw the boundaries of a new world — to compensate the loss of the rebel third with a new race who, if they prove obedient, will eventually rise to fill the vacant heavenly thrones. Raphael narrates the six days of Genesis: light, firmament, dry land and seas, plants, sun and moon and stars, fish and birds, animals, and last of all Man. He closes by telling Adam why he is here: to be tested, and, if he passes, to ascend.

Book 8

Adam asks for Eve

Adam asks an astronomy question — why is the Earth so small and the heavens so vast? Raphael sketches both the geocentric and heliocentric possibilities and gently warns him off too much speculation: "be lowly wise; / Think only what concerns thee, and thy being." Adam takes the warning and offers his own story in return. Waking on the grass; learning his body; meeting God; being shown the garden and the tree; naming the animals; realizing he was alone; asking God for a partner; God testing the request and granting it; the long sleep; waking to find Eve. Raphael cautions him gently against making Eve the foundation of his whole being, and takes his leave.

Book 9

The Fall

Milton opens with a third invocation: he must "change those notes to tragic." Morning in Eden. Eve proposes they garden separately for the day. Adam objects, citing the warning about the enemy. Eve takes it as a slight on her steadfastness; they argue, and Adam reluctantly gives way. Satan, in the form of the serpent, finds her at the tree, flatters her, claims to have eaten the fruit himself and gained speech, persuades her to eat. She does. Returning to Adam, she tells him; he drops the garland he was making for her, and chooses her over God. They make love feverishly, sleep, and wake angry — the first quarrel after the Fall.

Book 10

Judgment in Eden

The Son descends to Eden and pronounces the curses — the serpent will crawl, woman will bear in pain, man will eat by the sweat of his brow. Before he leaves, he clothes Adam and Eve with skins, "as a Father." Meanwhile Sin and Death build a great causeway across chaos from Hell to Earth — the road by which death enters the world. Satan, returning to Pandemonium expecting acclaim, is transformed into a serpent on his throne, his army hissing below him. On Earth, after a long bitter night of recrimination, Eve breaks first and offers to take the punishment alone. Adam refuses; the two of them kneel together at the place where the Son judged them.

Book 11

The vision of history

God accepts the repentance, but the sentence stands: they cannot remain in Eden, because the tree of life is now too dangerous for fallen creatures. He sends Michael down to lead them out. Eve weeps for the garden; Adam grieves for the place where God walked with him. Before they leave, Michael takes Adam up onto the highest hill of paradise and shows him the future. Cain killing Abel — the first death Adam sees. The cities of Cain's descendants. The flood. Noah and his family alone surviving in the ark. The covenant, and the rainbow. Adam weeps, questions, watches. The book ends with the rainbow over the receded waters and Michael preparing to continue.

Book 12

Hand in hand

Michael resumes. Abraham, the Israelites in Egypt, the law on Sinai, the prophets, the exile, the return; and finally a child born in Bethlehem — the seed promised to the woman. Adam asks how the seed can bruise the serpent's head if he himself dies. Michael explains: the death is the bruising; the resurrection seals it. Adam is consoled: "O goodness infinite, goodness immense! / That all this good of evil shall produce, / And evil turn to good." Michael adds the last lesson: Adam may possess "a paradise within thee, happier far." The poem closes: "they hand in hand with wandering steps and slow, / Through Eden took their solitary way."

Key themes

5 threads that hold the book together. Full analysis →

Disobedience and the two falls

Milton structures his poem around two falls — Satan's in heaven, Adam and Eve's in Eden. They rhyme and they do not match. The mismatch is the whole point.

Free will and foreknowledge

God knew Adam would fall before he created him. Milton spends twelve books arguing that this does not make the fall any less Adam's.

The Satan problem

Many readers come away thinking Satan is the real hero. Blake said Milton was "of the Devil's party without knowing it." The argument is one of the longest-running disputes in English literary criticism.

Adam and Eve

Milton's most original move is the marriage in Eden. No previous epic had attempted the interior life of a couple. Eve is the most psychologically complex figure in the poem.

History and the long return

The last two books are the future, narrated to Adam before he leaves Eden. Flood, covenant, law, prophets, Incarnation. Milton's answer to the Fall is not undoing it but going through it.

Key figures

The 7 who matter most. More in the full character guide.

Satan
The Adversary

Once Lucifer, brightest of the archangels, second only to the Son in heaven. Refuses the elevation of the Son and leads a third of the angels in revolt. Defeated, falls nine days through chaos, lands in Hell. Refuses to repent — "Better to reign in Hell than serve in Heaven." Builds Pandemonium, undertakes alone the journey to corrupt the new creation. The most vivid character in the poem; the first half is largely his.

Adam
The first man

Created by God, named the animals, given the warning about the tree, given Eve. Argues with Raphael about astronomy. Argues with Eve about whether to garden separately. Eats the fruit not because Satan deceived him — Satan never speaks to him — but because he refuses to live without Eve after she has eaten. Milton renders the choice as moral failure and as recognizable love at the same instant.

Eve
The first woman

Created from Adam's side. Wakes by a pool and falls in love with her own reflection before God turns her toward Adam. The most psychologically complex character in the poem. Argues for separating to garden faster. Listens to the serpent's flattery. Eats alone, then deliberates whether to share with Adam — and decides to, fearing both her own death and his replacement by another woman.

God the Father
The Sovereign

Foreknows everything that will happen, including the Fall, and permits it because virtue under no temptation is not virtue. The poem's most theologically demanding voice — Milton, an unorthodox Christian, gives him the work of making the case for free will against predestination in his own words. Many readers find him cold; Milton thought that was the price of theological precision.

The Son
The Redeemer

Volunteers in Book 3 to take on humanity and die for it. Drives the rebel angels out of heaven in Book 6; pronounces judgment on Adam and Eve in Book 10; intercedes for them with the Father in Book 11. The poem's image of grace — willing what the Father requires, doing what the Father does not need to do himself.

Raphael
The angel sent to warn

Sent in Book 5 to make sure Adam cannot later claim ignorance. Tells Adam the story of Satan's rebellion and the war in heaven across Books V through VII. Eats with Adam in the garden in one of the strangest scenes in any epic. The poem's internal storyteller — through Raphael, Milton narrates everything that happened in heaven before the action proper.

Michael
The angel of exile and history

Sent in Book 11 to lead Adam and Eve out of paradise after the Fall. Before they leave, takes Adam up a hill and shows him the future of human history through to the Incarnation. The angel of the long return. His final line — that Adam may possess "a paradise within thee, happier far" — is one of the central theological claims of the poem.

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