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Niels Lyhne

by J.P. Jacobsen

A young Danish dreamer searches for meaning through art, love, and atheism in nineteenth-century Denmark. Jacobsen's masterpiece — the novel Rilke called "the most important book in the world."

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Chapters
  1. Chapter 1Chapter 1
  2. Chapter 2Chapter 2
  3. Chapter 3Chapter 3
  4. Chapter 4Chapter 4
  5. Chapter 5Chapter 5
  6. Chapter 6Chapter 6
  7. Chapter 7Chapter 7
  8. Chapter 8Chapter 8
  9. Chapter 9Chapter 9
  10. Chapter 10Chapter 10
  11. Chapter 11Chapter 11
  12. Chapter 12Chapter 12
  13. Chapter 13Chapter 13
  14. Chapter 14Chapter 14

Chapter 1

She had the black, luminous eyes of the Blid family with delicate, straight eyebrows; she had their boldly shaped nose, their strong chin, and full lips. The curious line of mingled pain and sensuousness about the corners of her mouth was likewise an inheritance from them, and so were the restless movements of her head; but her cheek was pale; her hair was soft as silk, and was wound smoothly around her head.

Not so the Blids; their coloring was of roses and bronze. Their hair was rough and curly, heavy as a mane, and their full, deep, resonant voices bore out the tales told of their forefathers, whose noisy hunting-parties, solemn morning prayers, and thousand and one amorous adventures were matters of family tradition.

Her voice was languid and colorless. I am describing her as she was at seventeen. A few years later, after she had been married, her voice gained fullness, her cheek took on a fresher tint, and her eye lost some of its lustre, but seemed even larger and more intensely black.

At seventeen she did not at all resemble her brothers and sisters; nor was there any great intimacy between herself and her parents. The Blid family were practical folk who accepted things as they were; they did their work, slept their sleep, and never thought of demanding any diversions beyond the harvest home and three or four Christmas parties. They never passed through any religious experiences, but they would no more have dreamed of not rendering unto God what was God’s than they would have neglected to pay their taxes. Therefore they said their evening prayers, went to church at Easter and Whitsun, sang their hymns on Christmas Eve, and partook of the Lord’s Supper twice a year. They had no particular thirst for knowledge. As for their love of beauty, they were by no means insensible to the charm of little sentimental ditties, and when summer came with thick, luscious grass in the meadows and grain sprouting in broad fields, they would sometimes say to one another that this was a fine time for travelling about the country, but their natures had nothing of the poetic; beauty never stirred any raptures in them, and they were never visited by vague longings or day-dreams.

Bartholine was not of their kind. She had no interest in the affairs of the fields and the stables, no taste for the dairy and the kitchen—none whatever.

She loved poetry.

She lived on poems, dreamed poems, and put her faith in them above everything else in the world. Parents, sisters and brothers, neighbors and friends—none of them ever said a word that was worth listening to. Their thoughts never rose above their land and their business; their eyes never sought anything beyond the conditions and affairs that were right before them.

But the poems! They teemed with new ideas and profound truths about life in the great outside world, where grief was black, and joy was red; they glowed with images, foamed and sparkled with rhythm and rhyme. They were all about young girls, and the girls were noble and beautiful—how noble and beautiful they never knew themselves. Their hearts and their love meant more than the wealth of all the earth; men bore them up in their hands, lifted them high in the sunshine of joy, honored and worshipped them, and were delighted to share with them their thoughts and plans, their triumphs and renown. They would even say that these same fortunate girls had inspired all the plans and achieved all the triumphs.

Why might not she herself be such a girl? They were thus and so—and they never knew it themselves. How was she to know what she really was? And the poets all said very plainly that this was life, and that it was not life to sit and sew, work about the house, and...